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A Discussion About Our Future
oil on canvas
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Alive, Alive, I will Awaken You
oil on canvas
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Already, it is Dusk
oil on canvas
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Anechoic Chamber
oil on canvas
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Asa Nisi Masa
oil on canvas
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Black Barn, Eldritch Fire
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CompaƱero
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Cull
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Dancing at the Wedding
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Dialogic Paused
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Direct Answer
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Entrance into Zar Ritual
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Equinox
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Ethan
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Field I
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Field III
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Frater
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Frater II
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From General to Specific
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Gail Stretching
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Gail Stretching II
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Hard Rest
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Hidden Words in a Murky Tongue
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Hinterlands
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Hum of the World
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Im Abendrot
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In Mid-Sentence
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In the Clearing
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Murmur Field
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OH DRAMA
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Portrait of Allison
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Portrait of George
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Prapides
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Prelude to a Mess
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Shawl of Light
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Shorthand
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Soverign Skin
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Sprechstimme
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Summoning
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Sun Soak Black Blaze
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Suspiriorum
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Swift is the River, its Current yet Fixed
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Tensile Strength
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The Same Strand
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Therblig
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Untitled (self-portrait)
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Unwrapping Food from Foil
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Vast Summer Void
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Walden
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Waters under the Firmament
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What We Know of Night
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Zoe
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Zoe II
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Zoe III
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Zoe IV
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Zoe V
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Zoe VI
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How did you come up wih the name Black Barn Eldritch Fire? (That’s the painting we purchased and love!). Thanks!
Frank and Brooks Marro
Hi Frank and Brooks –
I ‘m really glad to hear that you are happy with the painting, thanks! To answer your question: I have a couple different approaches to titling work, in this case, it was a matter of finding the right grouping of words, so that it is evocative and opens up associations for the viewer. (Some other paintings that fit in this category are Vast Summer Void and Sun Soak Black Blaze. I feel that titles shouldn’t be like riddles with fixed answers, but open-ended, like poetry. Or maybe, titles are there to enhance the painting, like a soundtrack enhances a movie.) Some of the things that influenced the title of this painting: The woman who modeled for the painting lives in Madison County NC near a lot of black tobacco barns–there is a vague suggestion of a barn in the upper right corner. I was experimenting with odd lighting effects, such as a figure lit from below as if by campfire or headlights, and the peculiar color combinations of natural and artificial lights on the horizon. And there is a sort-of Southern Gothic quality that I really like, where the artist depicts something that is fairly ordinary, but with an undercurrent, a suggestion towards the uncanny. Plus, well, eldritch is just a really cool word.
This is probably far more information than you were asking for… but I do hope it clarifies things for you, and adds interest to your painting!
August this is a great site and I have to tell you it’s so amazing to see how much you have grown as an artist since college. I remember even back then you had this remarkable talent, it was something so far beyond your ears. And this work is just awesome! Not many people have brush strokes like you. I’m so proud to be able to say I know such a talent. I just started listening to the solo album as well.
Keep up the excellent work!
-Lyle
Hey Lyle, thanks for the compliments, very generous of you, and very much appreciated! -August
August……..I purchased “A Discussion About Our Future several months ago. In fact, I think, it was summer of 2014 that I acquired it from Bella Vista. I returned to the art gallery to buy a self portrait. As I recall, your image occupied the right lower quadrant of the canvas. Blue was the dominant color. It is one of the few works of art I regret not buying. But, it’s my nature to ruminate on any purchase regardless of the cost. Is your website the best way to keep up with the art you make available for sale? I know that Bella Vista is no longer. Is there another gallery representing you in Asheville?
My primary residence is in Louisiana. Highlands, NC is during the summers. –Cary Saurage
Hi Cary, thanks for writing! Right now the website needs a big update to add new work and to mark work that is available or sold. I will email you.